TARYN SIMON

  • WORKS

    • The Conversation Machine
    • The Color of a Flea's Eye:
      The Picture Collection
    • A Cold Hole
    • Assembled Audience
    • An Occupation of Loss
    • Paperwork and the Will of Capital
    • Black Square
    • Cutaways
    • A Living Man Declared Dead
      and Other Chapters I – XVIII
    • Image Atlas
    • Zahra/Farah
    • Contraband
    • An American Index of
      the Hidden and Unfamiliar
    • The Innocents
    • A Polite Fiction
    • Birds of the West Indies
    • An Avatar
  • INSTALLATION VIEWS

    • Human Brains: It Begins with an Idea
      Fondazione Prada, Ca’ Corner della Regina, Venice, Italy
    • The Color of a Flea’s Eye: The Picture Collection
      The New York Public Library, New York, NY
    • Taryn Simon: The Pipes
      Massachusetts Museum of Contemporary Art, North Adams, Massachusetts
    • An American Index of the Hidden and Unfamiliar
      Louisiana Museum of Modern Art, Humlebæk, Denmark
    • Image Atlas
      Send Me and Image: From Postcards to Social Media
      C/O Berlin, Berlin, Germany
    • Paperwork and the Will of Capital &
      An American Index of the Hidden and Unfamiliar
      Taming Y/Our Passion: Aichi Triennale
      Toyota Municipal Museum of Art, Toyota, Japan
    • Contraband
      Civilization: The Way We Live Now
      National Museum of Modern and
      Contemporary Art, Seoul, Korea
    • A Cold Hole & Assembled Audience
      Massachusetts Museum of Contemporary Art
      North Adams, Massachusetts
    • An Occupation of Loss
      Artangel, London, UK
    • Shouting is Under Calling
      Kunstmuseum Luzern, Luzern, Switzerland
    • Paperwork and the Will of Capital
      Musée d’art contemporain de Montréal, Montréal, Canada
    • The Innocents
      Guild Hall Museum, East Hampton, New York
    • An American Index of the Hidden and Unfamiliar
      Louisiana Museum of Modern Art, Humlebæk, Denmark
    • A Soldier is Taught to Bayonet the Enemy and not Some Undefined Abstraction
      Albertinum, Staatliche Kunstsammlungen,
      Dresden, Germany
    • Paperwork and the Will of Capital
      Albertinum, Staatliche Kunstsammlungen,
      Dresden, Germany
    • An Occupation of Loss
      Park Avenue Armory, New York
    • A Soldier is Taught to Bayonet the Enemy and not Some Undefined Abstraction
      Galerie Rudolfinum, Prague, Czech Republic
    • Action Research / The Stagecraft of Power
      Garage Museum of Contemporary Art,
      Moscow, Russia
    • Birds of the West Indies
      George Eastman Museum, Rochester, New York
    • Paperwork and the Will of Capital
      Gagosian Gallery, New York, New York
    • Paperwork and the Will of Capital
      Venice Biennale 56th International Art Exhibition,
      Aresenale, Venice, Italy
    • A Living Man Declared Dead
      and Other Chapters I – XVIII
      Le Point du Jour – Centre d’Art Editeur,
      Cherbourg-Octeville, France
    • Rear Views, A Star-forming Nebula,
      and the Office of Foreign Propaganda
      Jeu De Paume, Paris, France
    • Birds of the West Indies
      Almine Rech Gallery, Paris, France
    • Birds of the West Indies
      Gagosian Gallery, Beverley Hills, CA
    • A Polite Fiction
      Fondation Louis Vuitton, Paris, France
    • A Living Man Declared Dead
      and Other Chapters I – XVIII
      Ullens Center for Contemporary Art, Beijing, China
    • There Are Some Who Are in Darkness
      Museum Folkwang, Essen, Germany
    • Taryn Simon
      The Pavilion Downtown, Dubai, United Arab Emirates
    • Black Square
      Almine Rech, Paris, France
    • The Picture Collection
      Almine Rech, Paris, France
    • A Living Man Declared Dead
      and Other Chapters I – XVIII
      The Museum of Modern Art, New York, NY
    • A Living Man Declared Dead
      and Other Chapters I – XVIII
      The Museum of Contemporary Art, Los Angeles, CA
    • Taryn Simon: Photographs and Texts
      Multimedia Art Museum, Moscow, Russia
    • A Living Man Declared Dead
      and Other Chapters I – XVIII
      Tate Modern, London, UK
    • A Living Man Declared Dead
      and Other Chapters I – XVIII
      Neue Nationalgalerie, Berlin, Germany
    • Taryn Simon: Photographs and Texts
      Milwaukee Art Museum, Milwaukee, WI
    • Contraband
      Centre d'Art Contemporain, Geneva, Switzerland
    • Venice Biennale
      Danish Pavilion, Venice, Italy
    • Contraband
      Almine Rech Gallery, Paris, France
    • Contraband
      Lever House, New York, NY
    • Contraband
      Gagosian Gallery, Beverley Hills, CA
    • An American Index
      of the Hidden and Unfamiliar
      Gagosian Gallery, Beverley Hills, CA
    • An American Index
      of the Hidden and Unfamiliar
      Museum für Moderne Kunst, Frankfurt, Germany
    • An American Index
      of the Hidden and Unfamiliar
      The Whitney Museum of American Art, New York, NY
    • The Innocents
      MoMA PS1, Long Island City, NY
    • The Innocents
      Kunst-werke, Berlin, Germany
  • BOOKS

    • The Innocents (2000 – 2003)
    • The Color of a Flea’s Eye : The Picture Collection
    • An Occupation of Loss
    • An Occupation of Loss (Album)
    • Paperwork and the Will of Capital
    • Rear Views, a Star-forming Nebula, and the Office of Foreign Propaganda
    • Birds of the West Indies
    • Field Guide to Birds of the West Indies
    • A Living Man Declared Dead and Other Chapters I – XVIII
    • Contraband
    • An American Index of the Hidden and Unfamiliar
    • The Innocents
  • ESSAYS/VIDEOS

  • CONTACT

←
→
  • Wall text and works